Devil Doll (1964) - Horror

Hohum Score

77

Boring

An evil hyponotist/ventriloquist plots to gain an heiress' millions.

IMDB: 4.4
Director: Lindsay Shonteff
Stars: Bryant Haliday, William Sylvester
Length: 81 Minutes
PG Rating: N/A
Reviews: 14 out of 51 found boring (27.45%)

One-line Reviews (43)

It's mostly pointless and there's not much to talk about.

This boring, stupid little horror movie has many things wrong with it.

It was grim, but the monotone acting suited it.

Even watching this on MST, my butt started to fall asleep.

As dull and lifeless as a piece of wood .

Other characters include a reporter with a vaudeville-comic face, a couple of dull Germans, Marianne's boozy aunt, and a theatre audience who looks like they'd rather be seeing Les Mis.

gray, drab bit of English fare about an evil ventriloquist(are there any other kind?

Though the story is often predictable, it's creepy enough to provide a few chills along the way – not scary, just creepy.

They always look bored, and believe me, life DOES imitate art here.

If you get really bored, watch it, if you can't find a copy there's always the MST3K version...

While Bryant Haliday is effectively villainous, William Sylvester is a complete bore as the film's hero.

C'mon, silly it is, but I couldn't bear to bag it, because I didn't find it that extremely bad at all… slowly paced, yeah… pointless sequences, definitely… too much talk, yeah… hardly intense, too right.

Whether it's the character or the performance that's more to blame I don't know, but Vorelli is for whatever reason a dull, flat, one-note villain.

The Great Vorelli is an oily hypnotist who somehow manages to take England by storm with his mostly boring, slightly creepy act.

Dull, dreary British horror - a waste of good actors .

This makes her equally dull-witted boyfriend, newspaper man William "Heywood Floyd" Sylvester, jealous.

To cut to the jib, it's a adequate, odd little British horror flick, which on a whole is more a curiosity piece than entertaining.

There, Vorelli falls for her niece, a dull-witted girl with amazing false eyelashes.

But it's dull, lifeless, and the cast as wooden as the Devil Doll himself.

Unfortunately, Vorelli is an amoral creep, and English is bland and uninteresting.

The film is notable more for its well composed close up photography, suspenseful tympani playing that heightens the tension, and great acting by Halliday, who barely did any acting after this; he was one of the founders of Janus films, and then moved to France.

In addition to this living doll's eerie presence, the film boasts stunning B&W photography, uniformly fine acting (especially by Bryant Haliday as Vorelli, who comes off far more sinister here than the evil hypnotist played by Jose Ferrer in 1949's "Whirlpool"), intriguing FX (negative images, freeze frames) and a literate script.

Same grainy black and white noir photography, same dreary staging and pacing, and the same morally repulsive villain locked in a struggle with a rather bland 'hero' for the soul of a beautiful woman.

Nothing happens for long periods, just people talking.

Worth watching on MST3K and in "normal" form for the cool trick ending.

"Devil Doll" may not be the crown jewels, but it is a small gem, and a very enjoyable horror tale.

A lame fight at the end (not unlike the one that concludes "Santa Claus Conquers The Martians"), however, causes Hugo to become "alive" and take Vorelli's place, while the audience is left feeling sad and empty, not unlike Vorelli's sex life or Hugo's cranium.

Finally, this movie is SLOW.

This a fine little British horror film, with an engaging story, good to great acting, suspenseful music and wonderfully composed photography; it is only slowed down by a few too long sequences (Marianne on stage doing the Twist; English's frequent repetitive conversations with Doctors Keisling and Heller).

Oddly quaint "thriller" mixes effective moments and boring ones .

Boring and very dated; stay far away .

Sometimes it spends too long concentrating on some hypnotise sequences to space out the story, which after awhile became either tedious, or hugely ridiculous.

I ventured into this film without checking its title page on IMDb, which is something I rarely ever do, but now I'm glad, otherwise I probably would have passed an missed out on a fairly engaging, original and chilling little 60's gem.

There's more than just one wooden performance in this dull thrilless melodrama.

Here, Vorelli is homely, deeply disturbed and psychotic, but he's light years more intriguing than the dullard Sylvester - which makes me wonder what a normal-looking woman would see in him in the first place.

Bored to death and never raises his voice about conversation level, even when he's supposed to be shouting.

However, having just watched the film I can assure you that despite a relatively low budget, it was exciting throughout and is one of the better horror films of the 1960s.

Bryant Haliday does a fine job in this one as he did as Paul in the Projected man, but William Sylvester was very bland.

Except for a few slow-moving scenes in newspaper offices, it is well acted, directed and photographed, with great use of lighting and close-ups to build tension and enhance the mystery.

The Great Vorelli is well played by Haliday and seems genuinely evil even while he's entertaining his audience.

His latest intended female victim is one of the most stunning women to ever grace this planet, the gorgeous Yvonne Romain.

I normally tend to find British horror films a tad bit boring and while this one here begins to lose steam as it rolls along, it still manages to be quite effective.

As bad as this show sounds, it looks a lot more enjoyable than Dr. Carlo Lombardi's act in "She Creature" (another MST3K riffed film).