The Sons of Katie Elder (1965) - Western

Hohum Score



Ranch owner Katie Elder's four sons determine to avenge the murder of their father and the swindling of their mother.

IMDB: 7.2
Director: Henry Hathaway
Stars: John Wayne, Dean Martin
Length: 122 Minutes
PG Rating: N/A
Reviews: 13 out of 63 found boring (20.63%)

One-line Reviews (50)

Just good, enjoyable entertainment with a bit of a moral tale mixed in.

It may be due to the fact that I’ve just gone through a run of The Duke’s films in honor of his 100th Anniversary, but I found myself more receptive to it this time around: the plot, simple as it is, being nonetheless reasonably compelling as Wayne and his three brothers (Dean Martin, Earl Holliman and Michael Anderson Jr.) contrive to get to the bottom of their father’s violent death and the ensuing loss of the family ranch to a greedy landowner (James Gregory); the latter has a wimpish son (Dennis Hopper), so he appoints a stout and aggressive gunman (George Kennedy) to defend him against the Elders.

Unfortunately, this movie is a dissapointing example in Wayne's career and Hathaway (a regular director) gives a peasant treatment to the narrative that made this one a boring exercise.

The basic plot is confusing.

most enjoyable.

So all in all it's not without its itches, but as 60s Westerns go, The Sons Of Katie Elder is a hugely enjoyable picture to enjoy by the fireside on a Sunday afternoon.

But thanks to the slow pacing you have plenty of time to think about that issue.

This slow-paced Western is a typical example of how a dull action movie can be saved by Elmer Bernstein's powerful music score, just like he does to THE MAGNIFICENT SEVEN and THE GREAT ESCAPE.

She is epitomized by the empty rocking chair (final shot) and a Bible she leaves behind.

Bernstein and the Duke first worked together in The Comancheros and this one is every bit as good as that rousing score.

It's not that this oater is all that bad, it's just that Hathaway tries to infuse his western with a deeper moral meaning than the average 60's western, and gets bogged down in boredom for his efforts.

"The Sons of Katie Elder" is even more boring than "Wings of Eagles", both films make you glad that they invented the remote control so that you can effortlessly change the channel.

Breathtaking and lively musical score by Elmer Berstein , one of the best of Western genre along with ¨The Magnificent Seven¨ and ¨Comancheros¨ soundtracks.

It was love at first site for Dean Martin and Michael Anderson Jr. and to make matters more intense, there is a small dialog that really caught mt attention.

There is an intensity here that rewards the careful watcher, there is a breadth to this film worth a bit of slow pacing in the second half.

So what was so worth watching?

This is an ill-conceived (weak screenplay) and poorly executed (Hathaway's mind-numbingly static and bland direction) mess in a bright shiny Technicolor package.

"The Sons of Katie Elder", though not one of John Wayne's best westerns, is very entertaining nonetheless.

Wayne's romance with Martha Hyer and was pointless and a waste of time; the film should have devoted the attention to better build up the relationship among the brothers.

Good, well made Western, traditional and enjoyable .

John Wayne's Most Boring Film .

Old-fashioned western is resolutely entertaining .

Entertaining Wayne Oater.

Hathways direction is tight and tho a bit on the slow side you can't switch off once watching.

This is a typical slow, old-fashioned western.

The range of actors: a believable John Wayne, an entertaining Dean Martin with "third-eye" act, a menacing George Kennedy, a "likable" Strother Martin in a brief role as the winner of the third eye, and a fine performance by young Dennis Hopper makes the film above average viewing.

Very nice movie, typical of the many entertaining, solid Westerns John Wayne made in the 1960's i.

Director Henry Hathaway keeps the story moving providing us with breathtaking scenery and a rousing finale.

That said, I found it entertaining for what it was: a story about four men trying to do right by their maw after a life of muddying the name Elder, especially John who is known for the bloodshed as a reputed gunfighter.

Entertaining if overlong and a bit meandering western has a good cast and direction(Henry Hathaway) and an exciting climax to maintain viewer interest.

The plot is engaging as it trades off the relationship dynamics of the brothers as its base while developing the story on the way to a solid conclusion.

The set-up of the story (involving four brothers grieving the loss of their mother is touching) and I suppose this can extend two-fold in respect of their father, but the truth is that The Sons Of Katie Elder is so boring that any aspects that set the story up seem to almost burn into insignificance...

Plodding oater is paced too slowly .

From the opening scene with that locomotive spewing smoke out the top to that riveting Elmer Bernstein score I had a feeling this would be a top notch cowboy film....

It's a slow-build drama with entertaining highlights, a quality score (for the era) and a compelling final act.

The story is pretty interesting with some compelling villains.

Very engrossing and well made.

I just saw this movie some 30 years after my first viewing of the film--and surprisingly I found it to be a lot more entertaining than my first recollections of the film.

Here's what dragged the movie down:Wayne's just way too old for his role.

Not bad, but slow in spots.

clichéd, predictable, with annoying soundtrack .

Great old-time western with a wonderfully-rousing Bernstein score.

There is also the reassuring presence of Strother Martin in one of his many character roles; the great cinematography of Lucien Ballard; and a rousing score by Elmer Bernstein, with the title song done by the legendary Man In Black himself, Johnny Cash.

Ah well, even if it's all rather pointless the biggest justification for the movie is that folks got jobs and some money must have been made.

The plot well there is one with bad guy's but oh how that score from Elmer Bernstein soars above the whole movie rousing action-full and stirring!

We are also treated to another rousing score from composer Elmer Bernstien.

53 years on, it seems somewhat more romanticised, and just a little bit pretentious than way back then.

At the end the showdown causes the incarnation of dramatic, tragic, the frontier-conflict between savageness and civilization with a rousing happy-end.

"The Conqueror" deserves mention in this discussion but it was so unintentionally funny that the boredom is relieved.

Wayne and Martin is a good pairing and the plot of sons seeking revenge is quite compelling.